Kundun
There’s no denying the artistry of Kundun. Its heart also appears to be in the right place. But for those like me who don’t have a versed history in the modern history of Tibet or Buddhism, the scope is ultimately too big.
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There’s no denying the artistry of Kundun. Its heart also appears to be in the right place. But for those like me who don’t have a versed history in the modern history of Tibet or Buddhism, the scope is ultimately too big.
Each film is distinct from the other in its tone, which in some ways is good, but it also hinders any rhythm from emerging other than the fact that this club loves a certain city.
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New York, New York never fully comes together as a cohesive picture. Rather, it’s a film with many parts that don’t gel, much like its fabricated lead characters.
A celebratory film made by those who hold the place close to their heart.
Part of the skill of filmmaking is the art of taking what you have, no matter how meager or how lavish, and making it work. It’s easy to rip apart[…]
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Scorsese shows his range as a filmmaker and proves what makes him so good: he’s a director with an eye for fancy camera work but a heart for his characters and the journeys they take.
A modern masterpiece where the setting is the star, even among a cast that is highlighted by Robert De Niro and Harvey Keitel.