Shine a Light
More than a concert film, Scorsese’s Shine a Light not only throws yet another spotlight on the rockers but also carves out a story to pay tribute to the “Satisfaction” musicians.
Tagged: Martin Scorsese
Kundun
There’s no denying the artistry of Kundun. Its heart also appears to be in the right place. But for those like me who don’t have a versed history in the modern history of Tibet or Buddhism, the scope is ultimately too big.
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New York Stories
Each film is distinct from the other in its tone, which in some ways is good, but it also hinders any rhythm from emerging other than the fact that this club loves a certain city.
No Direction Home: Bob Dylan
Framed by tons of rare footage, No Direction Home penetrates the soul of one of modern music’s greatest icons – at least as much as Dylan will let us.
New York, New York
New York, New York never fully comes together as a cohesive picture. Rather, it’s a film with many parts that don’t gel, much like its fabricated lead characters.
Taxi Driver
A grimy film that perfectly reflects its grimy subject matter. Travis Bickle [is] one of film’s most complex characters. When you talk about super heroes, he truly is one minus the tights and powers.
Alice Doesn’t Live Here Anymore
Scorsese shows his range as a filmmaker and proves what makes him so good: he’s a director with an eye for fancy camera work but a heart for his characters and the journeys they take.
Mean Streets
A modern masterpiece where the setting is the star, even among a cast that is highlighted by Robert De Niro and Harvey Keitel.
Boxcar Bertha
Part exploitation movie, part visionary cinema, Boxcar Bertha is caught somewhere in between.
Who’s That Knocking at My Door
A crudely shot but effective film that not only introduced us to Scorsese but several of the themes around religion, love and gender that he’s continued to explore even in his more recent films.
