10,000 BC
I can’t help but think that 10,000 BC started out as an idea that sounded like, “Wouldn’t it be cool if we had woolly mammoths and saber toothed tigers and people all in the same movie?” and went from there.
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I can’t help but think that 10,000 BC started out as an idea that sounded like, “Wouldn’t it be cool if we had woolly mammoths and saber toothed tigers and people all in the same movie?” and went from there.
Based on the series of five serial children’s novels, The Spiderwick Chronicles is a hollow spectacle that’s good for the action and effects but light on everything else.
Feels so forced and determined to convey a certain emotion that its authenticity is lost. And when there’s no sense of authenticity, there’s no emotional attachment.
Films: N · Reviews: N · Sucky Sequels
It’s like doing a puzzle a second time. It’s familiar, it’s redundant and it’s rarely exciting.
It’s got plenty of “I can’t believe I just saw that” moments, but shock value only goes so far. Or maybe I’m just lame because I don’t laugh every time I hear a cartoon character swear or when they talk about shoving things up and down all parts of their bodies.
Richard LaGravense’s P.S. I Love You has plenty of sappy love-letter moments, but it’s also a very touching and real-feeling look at the grieving process.
A few cute gags aside, this is an exercise in stupidity aimed at those who find 15 different names for a bong to be funny.
Young Indiana Jones doesn’t compare to the real thing. The stories are much slower and several go nowhere. Instead the show seems to exist simply as an experiment in rewriting history a little and making it a little more fun.
The visuals, the pacing, an all-time great performance and a timely theme add up to make There Will Be Blood one of the most memorable films I have seen.
Because it touches on the universal themes of loss and love so honestly, it is a film that feels authentic even in its many contrivances.