Van Helsing
An open letter to Stephen Sommers, writer and director of Van Helsing. Dear Mr. Sommers, I just got back from viewing your latest film, Van Helsing. With it you were[…]
Author: Ryan Cracknell
Super Size Me
Super Size Me is more important for what it brings to the table outside of the film rather than the film itself.
The Saddest Music in the World
The costumes, the sets, the music, the choreography, the dialogue – all are beautiful and from the eye of a genuine vision.
Seducing Doctor Lewis
Misses a huge opportunity to make a scathing commentary on the isolation similar townships and villages feel.
No Turning Back
No Turning Back is intense at its core, looking at not just the tough choices we make but the process that goes into making them.
Porky’s
While Porky’s may have spawned hundreds, if not thousands, of imitators, it’s having trouble keeping up with the barriers it broke more than two decades ago.
Kill Bill: Vol. 2
This part of the story peels away at the heart and emotions of its central characters.
The Corporation
The Corporation is another strike against suits, board room meetings and the brands and chain stores we know we should hate but we use anyways.
Four Funny Families
The success or failure of a film such as this depends on the viewer’s willingness to seek out what’s happening in the film.
The Best Two Years
Sets an example for future religious films. It’s able to get its point and purpose across in a way that’s both entertaining and doesn’t alienate the broader audience.
