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Category: Reviews: P-T

Terminator 3 Poster

Films: T · Reviews: T · Uncategorized

0

Terminator 3: Rise of the Machines

  • July 3, 2003

More time seems to be spent on giving Schwarzenegger corny one-liners than establishing the TX as a genuine threat.

Shoulder Arms Lobby Card

Films: S · Reviews: S

0

Shoulder Arms

  • June 23, 2003

Although it’s been a long time since 1918, there are still lessons to be learned from Shoulder Arms.

The Shape of Things Poster

Films: S · Reviews: S

0

The Shape of Things

  • June 4, 2003

Thank you Neil LaBute, you bastard. If only there were more like you to challenging us to look a little deeper in the mirror everyday.

Triumph of the Will

Films: T · Reviews: T

0

Triumph of the Will

  • June 1, 2003

As sickening as it might be to watch, it’s this alternate point of view that is important in helping us learn from the past.

Phone Booth Poster

Films: P · Reviews: P

0

Phone Booth

  • April 24, 2003

A modern morality tale complete with Kiefer Sutherland as God’s voice. Okay, so he’s a sniper on the other end of the phone, but with the things he says and the stereo sound he might as well be the Almighty.

Pinocchio Poster

Films: P · Reviews: P

0

Pinocchio (2002)

  • December 30, 2002

Every good actor needs to do his or her own Hamlet. For Benigni it wasn’t Shakespeare whom he wanted to define his career with but Pinocchio. It might as well have been Problem Child IV.

Serendipity Poster

Films: S · Reviews: S

1

Serendipity

  • December 18, 2002

I can’t get over the complete reliance on fate even if it is what the movie is all about.

Storytelling Poster

Films: S · Reviews: S

0

Storytelling

  • September 19, 2002

While Solondz tries and tries hard, Storytelling fails to provide much more insight than the inside column of a torn book jacket.

Possession Poster

Films: P · Reviews: P

0

Possession

  • August 19, 2002

A stuffy film disguised as a romance/ thriller/ Nancy Drew-Hardy Boys team-up.

Signs Poster

Films: S · Reviews: S

0

Signs

  • August 18, 2002

Shyamalan has done it again. He’s taken a well-used genre, the alien invasion, and given it a spin that focuses on the human psyche rather than the surrounding events.

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