Millions
After Boyle establishes Damian, his family and his quirky new community, Millions really starts to lag. The imagination gives way to simple subplots.
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December 2, 2013
November 20, 2013
After Boyle establishes Damian, his family and his quirky new community, Millions really starts to lag. The imagination gives way to simple subplots.
Boisvert continues to develop as a filmmaker, building off his knack for tracking genuine human emotion – good and bad – and digging beyond where we feel comfortable and safe.
Red Trousers pays tribute to one country’s stuntmen. At the same time it’s a personal tribute as Shou uses the film as a platform to showcase his own work.
While he doesn’t necessarily sympathize with Hitler and his cronies, Oliver Hirschbiegel does make the fuehrer seem almost human with Downfall.
Starkweather is the kind of mean-spirited film that uses violence as a way of selling itself and shocking its audience.
More than finger pointing and a recap of events. By delving into Dallaire’s psyche, it becomes an emotional and poignant journey.
While the story is very original combining the techno-edge of The Matrix with Orson Welles’ The Trial, it’s the mood and atmosphere where it really shines.
A truly original work, and a very cheeky one at that filled with end-to-end laughter. It plays off Herzog’s own legend as a behind-the-camera wild card.
A purposely corny but thoroughly entertaining piece of melting pot cinema.
Marks the umpteenth comeback for Travolta. It’s a modest one, but a comeback simply because it’s watchable Travolta that doesn’t reek of a paycheck grab.