Toy Story 3
Pixar have once again reminded me that there is a way to create a film that not only appeals to just about everyone, but also prove that three-quels need not suck.
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Pixar have once again reminded me that there is a way to create a film that not only appeals to just about everyone, but also prove that three-quels need not suck.
The latest in a growing number of weepy films based on Nicholas Sparks novels that don’t come anywhere close to The Notebook.
[Bell] carries a classic presence and charm that is tough not to like. Yet, at the same time, she does so with a little spunk and sass.
Martin Campbell returns to the once edgy and jagged ground of his excellent BBC miniseries Edge of Darkness with a much slicker spin that sheds much of what made the first go around so good.
It’s rare that a movie can inspire genuine awe but Cameron has succeeded in another landmark technical achievement.
One of the finest Westerns to come along since the genre decided largely to pack up and ride into the sunset several decades ago.
It’s easy to be sucked in by all the glossy, nostalgic images that flash across the screen like some sort of psychological experiment, but like most of the director’s other films, most is forgettable shortly thereafter.
Feeling like a collection of Disney Princess greatest hits with a Southern flair, this latest Disney animated feature may look gorgeous but it’s lacking in “magic.”
Beautiful and thoughtful, Miyazaki once again shows he’s a master of taking the magical and making it endearing.
Has a strong visual style but a horrible story.