Oliver and Company
Far from classic but it is interesting to watch for its take on the pre-Disnified New York landscape following the company’s real estate foray into the iconic downtown core.
Reviews and news from the world of film.
Far from classic but it is interesting to watch for its take on the pre-Disnified New York landscape following the company’s real estate foray into the iconic downtown core.
As much as I adore Babe, it’s times like these when I wished he were turned into bacon.
Andrew Adamson shows a more confident and defined vision that works on several levels, however it’s unable to overcome a nagging feel of disconnect.
Simplicity and complexity harmonize together in cinematic zen in the instant-classic WALL-E, a film that uses technical prowess to tell a straight-forward yet far-reaching story.
The Disney tween machine continues to plug along mixing sugar-pop ballads with the simple structure of summer camp in Camp Rock. The familiarity makes for something comfortable, nothing spectacular, but mindlessly enjoyable.
Films: N · Reviews: N · Sucky Sequels
It’s like doing a puzzle a second time. It’s familiar, it’s redundant and it’s rarely exciting.
It pulls out all the stops in hitting all the familiarities of the genre and spins it on its head in both a fun and intelligent way.
Because it touches on the universal themes of loss and love so honestly, it is a film that feels authentic even in its many contrivances.
“Cute and cuddly” pretty much sums up this canine caper – once you get past the idea of a lady looking to make a coat out of dalmatian puppies.
The Aristocats is largely an up-scale cat version of 101 Dalmatians minus the deliciously dastardly villain.